Both problematic, art and science, handle a same material
but with two different perceptions leading to different
truths.
Science will propose
a universal truth that will not depend of particular spaces
and times. On the contrary, Art will propose sharing particular
truths that will never be repeated the same. Artistic
truths cannot be repeated the same as they result of the
crossing of two cumulated times: The one of the artist
and the one of the spectator.
Science and art result
of two different internal requirements:
- For the Art internal
requirements are feeling, emotion, passions. Problems
are the surrounding materials.
- For Science internal
requirement is the surrounding material. Problems are
mathematic themselves.
Resulting of the
work produced in the course of history, these two productions,
art and science, and history itself will mutually reveal
their authentic meanings.
The first
functions of Art : Magical conjuration and Sacred
Similarly to nature
that never get old but always renews, death will not be
initially perceived by humanity as an ineluctable finality.
It will rather appear like a magical accident, whose peculiar
circumstances must be warded off. Magical conjuration
was most certainly the first form of art.
Customs, collective
constructions, legal organisation will give a sense to
the group and will form the social links that will unit
men forming a common soul. Goethe has defined the Sacred
as « What unit souls », such organisations
and constructions mean that very link and soul.
Music, the mother to every Arts
In every time and
culture, music has been considered as mother to every
art. Music makes sizable the inner feeling of souls, but
cannot pretend to a separate existence independently of
the regularities and rhythms of the surrounding environment.
Poetry is the elder
daughter of music and can probably procure the best possible
description of realities. Poetry, like cinema, is founded
upon the two intellectualised senses, which are view and
hearing. It also generates feelings by association of
music and images, using, verse, rhythm and oxymora.
The transition
towards modern times: Romantic art, the derision of Surrealism
and the “mechanical” design
Romantic art aims
at enhancing the individual subjectivity of the artist
to the detriment of any objective idea or general and
absolute principle. The artist himself prevails within
the manifestations of romantic art where everything can
take part.
Modern art will push
even further this process by installing the artist’s
subjectivity fully above the content of the work. Everything
will depend upon the power of the choice of the artist.
Humour also is essential that diverts objects from their
original destination, depending fully upon the choices
and fantasy of the artist. Derisory works will be proposed,
all subjects to comments and judging.
Mechanical arts following
sciences will propose a common, universal and Trans-cultural
language to societies with a merchandising and industrial
purpose.
Design and advertising
will achieve the transformation of art into industry.